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A highly subjective ranking of a selection of last week's comics (28/12/16).
Agent Terex wasn't necessarily a fan favorite among Star Wars comic readers. Poe Dameron's tight-lipped antagonist checked too many boxes of not just Star Wars, but Sci-Fi baddies in general. While writer Charles Soule managed to establish Poe Dameron as a somewhat distinct and layered character, Terex remained ironically bland at best. 
Admittedly, it's sort of difficult to write a review of Deadpool #20 after that excellent epilogue by writer Gerry Duggan himself. As he already goes into detail about the positive impact even unstable anti-heroes such as the Merc with a Mouth can have on people in need, I feel everything relevant has been said about this already. But the comic does something else as well...
The cover of Daredevil #12 proclaims, quite luridly, that our blind hero is up "against the Inhumans" this time. There's undeniably some ironic boldness in that, even though we get a pretty decent (and entertaining) fight between Daredevil and an Inhuman. 
Han Solo #4 confidently confirms the impressions of the first three issues: this is the best Star Wars series on sale at the moment. Why? Because writer Marjorie Liu does what may sound easy, but is actually hard to achieve: combine the traits of proven Star Wars characters and environments, but add new layers to it. 
Admittedly, the sheer influx of Deadpool titles recently didn't do the character much good. The "Mercs for Money" proved to be a welcome change in the beginning until, well, they weren't anymore and just bored everybody (don't have any high hopes in the new outfit either). And the Gambit crossover? We shall never talk about it again.
If, after 6 months after the last part, you don't have any clue where this actually left off, rest assured, the writers do neither. Warda Wilson and Ellie Preston were probably fighting and shouting overly-clichéd bon mots at each other, because that's pretty much all they're doing here. Geezer Deadpool is good for a couple of laughs, but becomes more and more unbearable as this drags along. 
If Captain America:Steve Rogers #5 is one thing, then it's brilliantly written and narrated. Writer Nick Spencer does a masterful job of developing the comic's various characters while slowly untangling Steve Rogers' alternate history caused by the Cosmic Cube Kobik and tying all plot threads in the "Civil War" II story.
"The Punisher" #5: This is one big slaughter-fest, and it absolutely convinces with its pacing, grit and dialogue. Even Dillon's execution of blood and gore is more spot-on than in earlier issues. The best one so far!?
"Deadpool" #18: Less Mercs, more fun. The impact of Deadpool no longer being tied to the Mercs for Money can be felt immediately here, most simply by the fact that the series is no painful bore anymore. If you'd stopped caring about Deadpool some months ago, now's probably the time to get back into it. And if you're reading this because of Civil War II, you have my sympathy. That this get's still marketed as a tie-in is an unacceptable money grab.
"Black Panther" #6: Wakanda's lore and how Coates presents it is still supreme, but, unfortunately, the series doesn't have much else to it at the moment. A stronger focus on story, action and dialogue would go a long way in making Black Panther the exceptional series again we were used to.
"Poe Dameron" #6: The galactic mouse hunt between Poe Dameron and Agent Terex continues to be a highly entertaining affair, and one of Marvel's best Star Wars comics to date. It's light, fun, and perfectly captures the Poe Dameron established in The Force Awakens.
"Cyborg: Rebirth" #1: It's exactly what you'd want from a "Rebirth" title, with its concise Cyborg origin story and a premise that is able to set this series apart from its predecessors. One to have an eye on in the upcoming weeks.
"Daredevil" #11: Soule, Garney and Milla do such an outstanding job with Daredevil right now, it's hard not to almost expect excellence from this series month after month by now. If you haven't started reading it, do it now!
"Deadpool v Gambit" #4: Only picked that up again because both Marvel and DC hardly released anything that week. And yes, the moment Deadpool and Gambit do not even really appear in their own comic, we suddenly have a half-decent story at our hand, treating the inevitability of fate through the Scramblers backstory here. 
"Batgirl & The Birds of Prey: Rebirth" #1: That's how a "Rebirth" issue should be: a proper and interesting introduction to Batgirl and Barbara Gordon, and the Huntress makes for a perfect "frenemy". Thoroughly fun.
"Deadpool" #17: To sell this as a "Civil War II" tie-in is simply ridiculous, as it has simply no connection whatsoever to Marvel's big summer event (a fact even admitted by Duggan in the comic's intro page). Apart from that? Nothing to report, just the same old Deadpool shtick. This series needs some fresh new ideas, and the Mercs for Money should stick to their own series.
"Green Arrow" #5: This terrific storyline ends with the blast it deserved, as Benjamin Percy skillfully concludes the conquest of The Inferno and Juan Ferreyra again displays his great artistic talent.
"Aquaman" #4: It's all pretty much what you'd expect, as the relationship between Atlantis and the USA deteriorates rapidly. It's good, but never really tries to do anything differently.
6/10
