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A highly subjective ranking of a selection of last week's comics (28/12/16).
Agent Terex wasn't necessarily a fan favorite among Star Wars comic readers. Poe Dameron's tight-lipped antagonist checked too many boxes of not just Star Wars, but Sci-Fi baddies in general. While writer Charles Soule managed to establish Poe Dameron as a somewhat distinct and layered character, Terex remained ironically bland at best. 
Han Solo #4 confidently confirms the impressions of the first three issues: this is the best Star Wars series on sale at the moment. Why? Because writer Marjorie Liu does what may sound easy, but is actually hard to achieve: combine the traits of proven Star Wars characters and environments, but add new layers to it. 
"Poe Dameron" #6: The galactic mouse hunt between Poe Dameron and Agent Terex continues to be a highly entertaining affair, and one of Marvel's best Star Wars comics to date. It's light, fun, and perfectly captures the Poe Dameron established in The Force Awakens.
"Deadpool v Gambit" #4: Only picked that up again because both Marvel and DC hardly released anything that week. And yes, the moment Deadpool and Gambit do not even really appear in their own comic, we suddenly have a half-decent story at our hand, treating the inevitability of fate through the Scramblers backstory here. 
"Batgirl & The Birds of Prey: Rebirth" #1: That's how a "Rebirth" issue should be: a proper and interesting introduction to Batgirl and Barbara Gordon, and the Huntress makes for a perfect "frenemy". Thoroughly fun.
"Green Arrow" #5: This terrific storyline ends with the blast it deserved, as Benjamin Percy skillfully concludes the conquest of The Inferno and Juan Ferreyra again displays his great artistic talent.
"Darth Vader" #24: It's a small glimpse of what this series could have been, if only Kieron Gillen had remotely made use of the potential a character like Darth Vader offers. Too little too late, even though this one here convinces.
"The Fix" #4: More Mac, more Josh, more Pretzels, more mayhem. Fun, entertaining, hugely disturbing, the surprise series of 2016 keeps impressing.
"Black Widow" #5: It's pace and relentless action reminds of the fantastic first issue, as Natasha feels the heat on her from everywhere. Still great, even though it lacks some of the magic we were getting used to.
This is easily the best looking Star Wars comic so far, with artistic team of Brooks, Vines and Oback going for a beautifully naturalistic look on the environments, while the warm and earthy colors on characters' faces add additional depth and emotion. Liu's story continues to impress with a fresh take on Solo himself, even though the narrative mode of a sports broadcast seems weirdly out of place for the Star Wars universe. 
Poe Dameron opens up a new chapter, and it's all the better for it, as the hard-boiled prison setting benefits the characters of Black Squadron. Phil Noto's art is unspectacular, but aesthetically in line with other current Star Wars comics, while writer Charles Soule fortunately resists the temptation of depicting Grakkus the Hutt too close to Jabba.
Only 3 issues to go before we won't have to endure this anymore. Darth Vader has hit another low point with a uninspired, directionless and confusing story. Featuring cheap twists, utterly annoying droids, mediocre art and Darth Vader himself as a mere caricature of his film version, it doesn't manage to convince on any level. "May the farce be with you."
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Fortunately, this is better than the sum of its parts. Clumsy and childish action scenes, a more than unsatisfying revelation of the "savior", and one and the same expression on Poe's face do tarnish the comic, but its entertaining character dynamics and vivid dialogues, paired with a ubiquitous love for Star Wars itself still make this a worthwhile read.
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The "Journal's of Old Ben Kenobi" have been among the highlight's of Marvel's Star Wars comics, and this one continues to fill some vital gaps between Revenge of the Sith and A New Hope, as Obi-Wan is confronted by the deadly Wookie bounty hunter Krssantan. 
Poe Dameron #2 is a solid and skillfully told comic, but suffers from the fact that writer Charles Soule never comes out of the comfort zone provided by well-established Star Wars tales and characters. 
Darth Vader #19 is far away from the lows it reached several months ago, but especially with the series' end looming on the horizon, neither the team around writer Kieron Gillen nor editors seem to care much about it any more (the scary number of typos tells a lot). No glaring issues, just the same story and aesthetics all over again. Only for hardcore fans.
Unfortunately, Obi-Wan & Anakin doesn't end on a high note, as Soule can't figure out a way to conclude the story in a way that does justice to the excellent quality of the series so far. 
It's a remarkably strong ending to an often mediocre overall story, that particularly impresses with a surprise revelation that no one saw coming. The art's vague tone and outstanding lighting capture the comic's atmosphere perfectly, as Sana and Aphra still don't really develop a chemistry and nobody knows why Han and Luke have to be in here at all.