Review: "Catwoman: Election Night" #1

Catwoman: Election Night has a lot of what you'd want from a Catwoman comic, or any comic at all in that matter: a compelling main character that combines brawn, brain and heart, an engaging story, a fitting villain, some relevant (albeit quite blatant) social commentary, and some absolutely astounding art by Shane Davis. 

The more disappointing it is then, that this all over in the blink of an eye. Although its light tone lends itself rather well to the one-shot format, the sheer potential of interesting ideas and story lines Meredith Finch creates will leave readers wanting more. What could have been an excellent 3 or 5-part series feels slightly rushed and incoherent at times, even though never as much as to confuse readers.

After all, this is still a highly recommendable and entertaining read, with a Catwoman that I definitely want to see more of.


7/10

PS: Definitely worth mentioning is Mark Russell's and Ben Caldwells mini story "Trigger Warnings", that has one of the funniest and most clever punch lines I have seen in comics recently. 

Review: "Superman" #8

"Escape from Dinosaur Island" is the title of this new Superman story line. At best, you might think, this could be full of vintage B-movie charm. At worst, it might be an embarrassing oddity. But writers Peter J Tomasi and Patrick Gleason actually manage to do neither, and instead craft a story that (so far) is also intelligent and insightful.

It's especially the warm and close relationship between Clark and Jon, impressively drawn by artists Doug Mahnke, Jaime Mendoza and Will Quintana , and the latter's careful curiousness that steer the story towards more serious topics. It's not what you'd expect, and it's all the better for it.

7/10

Review: "Deadpool: "Back in Black" #1

Admittedly, the sheer influx of Deadpool titles recently didn't do the character much good. The "Mercs for Money" proved to be a welcome change in the beginning until, well, they weren't anymore and just bored everybody (don't have any high hopes in the new outfit either). And the Gambit crossover? We shall never talk about it again.

And now? An 80's inspired Deathpool/Venom story. So much to go right, but so much more to go wrong. But you know what, this isn't actually half bad. It's really good actually. Even some rather generic villains can't hide the fact that Deadpool and Venom make for a good combo and the comic is actually quite funny (especially the fake footnotes, more of that please in the next issues). 

The only problem: it doesn't really feel very 80's, and if it wasn't for the title or the intro, one might probably never even guess that it takes place then at all. So, Bunn and Espin: up that 80's vibe a bit in the next issue, and we could be in for a real treat.

7/10

Further Links:

Deadpool #19
Deadpool #18

Quickfire Combo-Reviews: "Superman" #7 / "Wonder Woman" #6 & #7

"Superman" #7: Another proof how well Superman can work on a small scale. A very down-to-earth story with a very down-to-earth Superman, who changes space and Doomsday for a country fair and petty thieves. A welcome change.

7/10

"Wonder Woman" #6: There'll never need to be another Wonder Woman origin story, because it can't really get any better than this. Scott's art wonderfully matches the grace and beauty of Rucka's story.

9/10

"Wonder Woman" #7: A rather confusing finale to what used to be a thrilling and captivating storyline so far. There was potential for a far better ending, but this feels like a rushed affair.

6/10

Quickfire Combo-Reviews: "Doom Patrol" #1 / "Detective Comics" #940 / "Action Comics" #963

"Doom Patrol" #1: What's going on? What is this about? Meat? Gyros? But it doesn't matter, and trying to make sense of it is probably useless. Read it, it's simply brilliant. 

9/10

"Detective Comics" #940: The most dramatic and defining scene in the whole run yet here is, strangely, only alluded to. Furthermore, one cannot help but feel that Detective Comics already missed the point to conclude this story arc properly.

6/10

"Action Comics" #963: Finally the series tackles the "Two Clark Kent" issue. It's been lingering a while, you know. Luckily, it looks like they're doing it in quite a spectacular way. Good stuff.

7/10

Review: "Deadpool" #18

"Deadpool" #18: Less Mercs, more fun. The impact of Deadpool no longer being tied to the Mercs for Money can be felt immediately here, most simply by the fact that the series is no painful bore anymore. If you'd stopped caring about Deadpool some months ago, now's probably the time to get back into it. And if you're reading this because of Civil War II, you have my sympathy. That this get's still marketed as a tie-in is an unacceptable money grab.

7/10

Quickfire Combo-Reviews: "Batman Beyond" #16 / "Green Arrow" #6 / "Justice League" #4

"Batman Beyond" #16: Read this if you want to start with "Batman: Beyond Rebirth" next month, as it'll give you a much better insight of what's going to happen. Apart from that, it's a pretty solid and entertaining read.

7/10

"Green Arrow" #6: Now with the start of a new story arch, it's clear to see that Benjamin Percy has a clear idea and concept of what he want's to do with Green Arrow's characters going forward. Intriguing, captivating, and loads of fun.

8/10

"Justice League" #4: It sure is highly entertaining, but Hitch does little in this issue to advance either story or character progression. Also, trying to give every Justice League member the same amount of "screen" time is a noble cause, but focusing on the more important aspects and characters would have definitely helped here. 

6/10

Quickfire Combo-Reviews: "Bombshells Annual" #1 / "Aquaman" #6 / "Batman" #6

"Bombshells" Annual #1: It sure looks fantastic, especially when artist Charretier wonderfully captures the atmosphere and look of 1910's France. But for all the narrative innovation and verve found in the annual's first part, the second part will largely disappoint with its uninspired dialogue and characterizations.

6/10

"Aquaman" #6: A bit of fresh air, here in the form of the President's right hand (a.k.a. Superman), might just be what this series needed, as it was in danger of drowning (get it!?) in mediocrity.

7/10

"Batman" #6: A heartfelt and truly excellent interlude before what promises to be an exciting new story arch. Tom King manages the almost impossible in offering a fresh spin on Bruce's (and, naturally, Gotham Girl's) trauma of losing their parents. Not only the best Batman Rebirth title, but the best Rebirth title at all so far. 

10/10

Quickfire Combo-Reviews: "Batgirl & The Birds of Prey: Rebirth" #1 / "Nightwing: Rebirth" #1 / "Star Wars" #22

"Batgirl & The Birds of Prey: Rebirth" #1: That's how a "Rebirth" issue should be: a proper and interesting introduction to Batgirl and Barbara Gordon, and the Huntress makes for a perfect "frenemy". Thoroughly fun.

8/10

"Nightwing" #1: The depiction of Nightwing is nuanced and intelligent, and his relationship and dynamic with Damian Wayne is simply superb, but what the hell is going on half of the time? You'll have a hard time following the plot if you haven't been into Nightwing before. 

6/10

"Star Wars" #22: To see the Rebels fight an empirical starship is gripping and entertaining, unfortunately though, some narrative holes spoil the party a bit. The eventual encounter between SCAR Squad and Han, Luke and Leia promises to be epic.

7/10

Quickfire Combo-Reviews: "Deadpool" #17 / "Action Comics" #962 / "Detective Comics" #939

"Deadpool" #17: To sell this as a "Civil War II" tie-in is simply ridiculous, as it has simply no connection whatsoever to Marvel's big summer event (a fact even admitted by Duggan in the comic's intro page). Apart from that? Nothing to report, just the same old Deadpool shtick. This series needs some fresh new ideas, and the Mercs for Money should stick to their own series.

5/10

"Action Comics" #962: The Doomsday storyline is over (for now), and the series closes it in solid but unspectacular fashion. Kudos to Jurgens though for gradually developing and shaping the comic's characters.

7/10

"Detective Comics" #939: Admittedly, the series started out quite slow, but by now has come full circle in terms of drama, dynamic and great action set pieces. Can't wait for the conclusion.

 8/10

Quickfire Combo-Reviews: "Superman" #5 / "Wonder Woman" #1 / "Deathstroke" #1

"Superman" #5: The action is solid here, as the "Son of Superman" storyline slowly approaches its conclusion. But the real highlight here is the Kent family going crazy with Batman's gadgets in his moon cave. Pure fan service that is.

7/10

"Deathstroke" #1: Its narrative mode, where little chapters jump back and forth in time is a good choice of telling the comic's story, but Deathstroke himself, unfortunately, has lost some of the grit and mercilessness of the "Rebirth" issue. 

6/10

"Wonder Woman" #1: It's reliance on art over dialogue continues to be a thorough success for "Wonder Woman", perfectly fitting the protagonists sturdy quest for truth. One of DC's best "Rebirth" titles.

8/10

Quickfire Combo-Reviews: "The Hunt" #1 & #2 / "Black Widow" #6

"The Hunt" #1 & #2: It certainly looks the part, but even for someone who gets startled rather easily, this didn't do much in terms of scares or convincing atmosphere. Well established tropes en masse, and the decision to actually write out the Irish accent proves to be a doubtful one.

5/10

"Black Widow" #6: Even though the hinted at showdown with Iron Man did not really happen, and the revelation of the Weeping Lion is slightly disappointing, this still fully convinces with its spectacularly paced storytelling and breathtaking art style. 

7/10

Quickfire Combo-Reviews: "Deathstroke: Rebirth" #1 / "Aquaman" #5 / "Batman" #5

"Deathstroke: Rebirth" #1: You'll sincerely hate Slade Wilson pretty much from page 1 here, and this evocation of strong disdain is probably Priest's greatest achievement, setting up Deathstroke as one of the best villains in DC's "Rebirth" universe so far.

7/10

"Aquaman" #5: "Aquaman" has become a pretty pointless affair by now, as it has lost even the last bits of verve that it might have had in the beginning. The action here is at least semi-entertaining, but the story is moving nowhere at all. Disappointing. 

4/10

"Batman" #5: The story of Gotham and Gotham Girl ends with a blast, and the additional pieces of information on the siblings' origin are truly fascinating. King has managed to establish a truly compelling pair of characters here, and I'm looking forward to see more of them in the next issue.

8/10

Quickfire Combo-Reviews: "Green Arrow" #4 / "Deadpool v Gambit" #3 / "Deadpool" #16

"Green Arrow" #4: It's fast, light and fun, with Percy knowing not to overemphasize Oliver Queen's personal drama; and the art here is simply spectacular, as Ferreyra's makes every panel look like a small portrait. 

7/10

"Deadpool v Gambit" #3: It has one of the funniest fighting scenes you probably have read in a while, but unfortunately Acker and Blacker lose more and more control of the story they're telling, resulting in an utter narrative chaos.

5/10

"Deadpool" #16: It's campfire story time, as Solo recalls how he dressed up as Deadpool once. It's good fun, but also anybody's guess why this gets marketed as a "Civil War II" tie-in.

6/10

Quickfire Combo-Reviews: "Detective Comics" #938 / "Superman" #4 / "The Punisher" #4

"Detective Comics" #938: We see more and more classic Batman themes and moves in "Detective Comics" recently, and it is all the better for it. The dynamic between Batman and his team has also notably improved, making this a solid read throughout. 

7/10

"Superman" #4: The series seems to have finally found its rhythm and footing, while Jon's significance to it grows with every issue.

7/10

"The Punisher" #4: It's a pure joy how pissed off and angry everyone here just is. Not as violent as you might have hoped for, but still really, really good.

8/10

Quickfire Combo-Reviews: "Deadpool & The Mercs For Money" #2 / "Action Comics" #961 / "Darth Vader" #24

"Darth Vader" #24: It's a small glimpse of what this series could have been, if only Kieron Gillen had remotely made use of the potential a character like Darth Vader offers. Too little too late, even though this one here convinces.

7/10

"Action Comics" #961: This is still solid, even though one cannot help but feel that Jurgens has to get the story to some kind of conclusion soon (or shake things up, respectively) if he doesn't want to risk that the series becomes directionless.

7/10

"Deadpool & The Mercs For Money" #2: If you didn't particularly like the first series, you should definitely give this one another try. Deadpool's better, the Mercs a lot deeper and more dynamic, and the cast of villains is highly compelling. 

8/10

Quickfire Combo-Reviews: "Civil War II" #3 / "Spider-Gwen" Annual #1 / "Aquaman" #3

Civil War II #3: Bendis offers up one spectacular revelation after the other, continuing to go all out in this series. The only question is whether he can keep that pace and wrap it up in successful fashion, or falls victim to the comic's evergrowing expectations.

8/10

"Spider-Gwen" Annual #1: It's imaginative, creative, different and absolutely refreshing. The only problem: all this eclipses the actual focal point of the comic, Spider-Gwen herself, who is merely an afterthought in all of this. 

7/10

Aquaman #3: The political dilemma here is not as original and intense as writer Dan Abnett probably thinks them to be, and artist Philippe Briones is not able to convey the emotions necessary to make this all a little bit more grasping. Unfortunately, a small step back for "Aquaman". 

6/10

Quickfire Combo-Reviews: "Aquaman" #2 / "Superman" #2 & #3

Aquaman #2: Abnett is playing it relatively safe here, as the moral conflict between Aquaman and Black Manta is presented solidly, but relies too heavily on well-known tropes.

7/10

Superman #2: More than anything else it's the father-son relationship between Clark and Jon that shines most here, as Tomasi and Gleason finally nail this aspect and make the latter a truly integral part of the story.

8/10

Superman #3: The story around the Eradicators appearance is slightly underwhelming, adding to the sense of imbalance that pervades this comic as a whole. At least the end promises a badass next issue.

6/10