Review: "Deadpool" #20

Admittedly, it's sort of difficult to write a review of Deadpool #20 after that excellent epilogue by writer Gerry Duggan himself. As he already goes into detail about the positive impact even unstable anti-heroes such as the Merc with a Mouth can have on people in need, I feel everything relevant has been said about this already. But the comic does something else as well...

As a one-shot where Deadpool takes a suicidal girl on a eventful night out to ultimately make her changer her mind, it's the comic's stripped-down nature that makes it stand out in comparison to the rather over-blown Deadpool instalments of late. Being left without any gadgets and teams to fall back on to, Duggan very impressively captures the helplessness, fragility but ultimately also humanity of both Deadpool and the unnamed girl. For the comic medium as a whole it shows that less is sometimes more, where putting our heroes in more grounded situations can ultimately lead to such great achievements as this one.

10/10

Review: "Daredevil" #12

The cover of Daredevil #12 proclaims, quite luridly, that our blind hero is up "against the Inhumans" this time. There's undeniably some ironic boldness in that, even though we get a pretty decent (and entertaining) fight between Daredevil and an Inhuman. 

However, what writer Charles Soule tries to convey more than anything else is that this is not a struggle against something, but for something. In an unusually diplomatic approach, the Man Without Fear tries to build bridges rather than unnecessarily burn them in what is ultimately one of the more clever treatments of the relationship between Humans and Inhumans in a while. The hunt for the wonderfully haunting serial killer/artist named Muse serves here as the perfect platform to show where both sides may find common ground, but also where they ultimately still differ.  

And yes, I've mentioned it before, but I'll happily to it again. Ron Garney's art and Matt Milla's colors combine to what is probably the best looking comic of 2016.


9/10

Review: "Han Solo" #4

Han Solo #4 confidently confirms the impressions of the first three issues: this is the best Star Wars series on sale at the moment. Why? Because writer Marjorie Liu does what may sound easy, but is actually hard to achieve: combine the traits of proven Star Wars characters and environments, but add new layers to it. 

Thus everything in Han Solo feels fresh, even though it gives readers a certain sense of familiarity which is certainly desired in any Star Wars publication. All that comes with a story that very effectively combines combat, racing and detective story elements, and art and colors by Mark Brooks, Sonia Oback and Matt Milla that manage to convince both on the small and large scale with its beautiful, realistic approach. All in all, Han Solo #4 makes for a thoroughly enjoyable experience. 

8/10