
Initially, the frequent flashbacks to the time right after the murder of Bruce's parents up until his return to Gotham seem like the same old story told all over again, but Tynion focuses on the parts of the story that are less well documented, offering an intriguing (even though sometimes a bit too sentimental) take on Bruce's trauma. He also takes the opportunity to introduce Crypsis, a brand-new Batman villain. What stands out most about this small-time thief with the ability of short-range teleportation is the surrealism and eeriness artist Riley Rossmo composes him with.
In general, Rossmo manages to bestow everything in Gotham, from Batman himself to its architecture, with an aura of unrest and uneasiness. The new Batsuit and the comeback of the Batmobile continue to impress, while Rossmo adds some additional grit and drama to their presentation. Hopefully Tynion will continue his great take on the Dark Knight with his run at the "Detective Comics" series after the DC rebirth.
9/10
In general, Rossmo manages to bestow everything in Gotham, from Batman himself to its architecture, with an aura of unrest and uneasiness. The new Batsuit and the comeback of the Batmobile continue to impress, while Rossmo adds some additional grit and drama to their presentation. Hopefully Tynion will continue his great take on the Dark Knight with his run at the "Detective Comics" series after the DC rebirth.
9/10
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