It's terrific to see "Black Widow" returning to dense storytelling through art alone; a formula that made #1 so exceptional earlier this year. Especially when dialogues are not Chris Samnee's and Mark Waid 's forte here, with the very few verbal interactions feeling stiff and artificial.
Whereas the first two issues mainly centered around sequences of relentless action, the focus shifted noticeably here. Samnee proves that his art is equally able to tell Natasha's more emotional and haunting backstory. He understands how to make her stand out on every single panel, with her lines drawn always a nuance sharper than those of her environment. Matthew Wilson's bright colors enhance this notion, while is overall choice of a brownish color palette adds some valuable grit.
All this, paired with a first class cliffhanger and a full page panel that captures Widow's symbioses of ballet and assassin skill like nothing before, makes "Black Widow" #3 another outstanding read.
8/10
8/10
No comments:
Post a Comment